Today you can find me guest blogging over at the lovely Paola’s, Mirror Mirror. Paola lives in Seattle, is a “design junkie, unrepentant foodie, passionate photographer, harassed mummy, crazed knitter, and a snarky Brit” and her blog is an amazing trip chronicling it all. She’s got an amazing blog, so I am totally fancy now!
Please visit and say hello. I painstakingly wrote up some thoughtful tips for improving photographs and illustrated with some of my favorites you see here below. Way more painstakingly than I even write here. CawfeeGuy even proofed me! And I though I almost had an anxiety attack in the process, I tried my best to entertain.
Paola may even make you some tea… I hear those Brits do that a lot.
Which one? New England in March edition
This post is a recurring feature I call ‘Which One?’ where I ask you to help me decide which is the stronger, more compelling image. Usually my ‘Which One?’ helps me determine which image to present to a client. Today it’s just my own interest. (This is also the shot in the opposite direction of the fog in my last post.)
So it’s also the beginning of a potentially new feature here, which I haven’t quite named yet. The concept is simple: it’s my favorite image from a shoot, and I’m certain the client is never going to use it. Basically, if I don’t post it here, no one’s ever going to see it, and it will live, alone and forgotten, in the cobwebs of my memory. If I remember it at all. How sad… This one, in particular will not see the light of day because Architects like blue sky. Period. And I took these same shots 5 hours later with an incredible blue sky, but I’m crazy about these comparatively so I’m not even gonna show you the blue sky.
I love these shots because, for me, they really capture New England in March. And I can see that charm without it being cloyingly sweet.
Which one would you choose? I’d love to hear.
{Update: I was totally wrong. The client chose both of these photos yesterday!}
Here are some previous ‘Which One?’ posts in case you are new here and would like to explore…

This breathtaking, Beinfield, steel fireplace, which I had the pleasure to photograph, is helping. But not as much as my brand new bottle of Marshmallow Smirnoff.
So we’ve moved! Very exciting. Also more than a little daunting and a lot time and energy consuming. We never could have made the sale happen without our amazing, Super Woman of a realtor, Doris Ghitelman. You need a realtor? Call this woman. She’s no joke.
And we never could have packed those 165 boxes in 2 days without the saintly (and a little bit masochistic) CawfeeGuy and CawfeeMate. Yes. I said it. 165 boxes in 2 days. Of all. My. Shit.
Anywhoo… I thought this would be a perfect time to give you a tour of the old digs. Which is now dismantled and is someone else’s new digs. And a perfect time to remind myself, the self that’s living amongst approximately 147 unpacked boxes in our new home, that it will get better.


See… Once upon a time, I lived like this:

But with a little bit of pixie dust and some of those cookies Alice found in the rabbit hole, it became this:

And all the while in between, which is actually the part I enjoy best, it was like this:

For me, the most stressful part is over… for a while. The selling, the packing, and the moving. I love the newness of unpacking, cleaning, reorganizing and designing a lifestyle. Designing a lifestyle with my new husband. When there are 30 boxes left and no where to put the crap, then I’ll have my next nervous breakdown. But that’s another blog post. This one’s about new beginnings. And fond farewells. And gratitude.
We’ve been super fortunate over here at Sequined Asphault Studio, and some exciting news almost got lost in the shuffle. While we were on our honeymoon, Beinfield Architecture received a 2011 AIA Connecticut Design Award for their new House in Ridgefield!
Congrats to Andrew Bartolotta AIA, Bruce Beinfield FAIA and the rest of the Project Team. I was thrilled for the opportunity to photograph the project and had a great time working with the Client. There is tons of inspiration and creative genius, attributable to both Architect and Client, throughout this deceptively simple barn with something modern and surprising at every turn.



On the Nightstand







































