Holy lens flair, Batman. This is what happens when you don’t use Google Earth to map your location and cross-reference the precise time of day to get the choicest position of the sun for your photo shoot. Architectural Photography 101 goes out the window when you are in the car with Dug and Diana (driver and shotgun respectively) and Dug shouts, “What IS that?!”
Me (all knees mangled in the back): What is what?! I can’t see! (failed attempt to reorganize limbs)
Dug: That! That tree?!
Me: What tree?! There are plenty of tre… Ohhhhh. That tree!
Diana: Pull over. Pull over.
Dug: Whoa…
Me: ohmygosh… Do you think it’s decorated for Easter?! (more reorganizing of limbs)
Dug: Whoa…
Me: Do you think the neighbors are pissed?! (now there’s a cramped neck situation)
Dug: I don’t know but I’m pretty sure you need to take pictures of this for the blog.
Me: Pictures? Really?!…
Me: Someone might see me… (minor panic attack)
Dug: Get the eff out of this car and get over yourself.
Truly, I have no idea what Dug actually said at this point that gave me the courage to get out of the car and start taking pictures of some stranger’s house like a total creeper, and I am 100% certain he wasn’t mean, and did not use foul language, especially given that were were with Diana and he is clearly still beating me in the most good-natured offspring award because, well, have you met me? But he must have said something because the next thing I know I am standing by myself in the middle of the street in a total anxiety haze, unsuccessfully working the manual setting dials and taking pictures of some stranger’s house like a total creeper.
So Diana and Dug are squinting at me through the car windshield as I try to 1.) ignore the people on the block and pretend this is all totally normal 2.) stand in the middle of the street paying very little attention to traffic while hopefully not getting hit by a car (I decide to rely on my hearing) 3.) figure out if there is a place for me to stand where the sun is not shining into my lens at the complete wrong angle (there is not) 4.) find the settings on my camera that might actually allow me take a photo that is not completely white or black (what the hell was I shooting last? oh, pussy willows, indoors, in low lighting) and lastly 5.) not melt into a pool of anxiety on the floor because this is somebody’s house, probably some mean person’s house who wants to eat me like in Hansel and Gretel.
You’d think I’d be used to this since I take pictures of people’s homes for a living, but I pretty much always have written consent and a government or religious pardon and assurances that all monsters, mythological or otherwise, have been removed from the premises prior to my arrival. What?! You think I’m overreacting? A flair for the dramatics you say? Let’s be real here, People. Someone who obsessively ties stuffed animals into trees by their necks with rope may or may not be off his meds. I’m just sayin’ there’s not quite enough information to judge my safety at this point.
Enter Eugene. He walks right up to me and says with a huge grin that immediately won my heart, “Guess whose house this is?!” And the most interesting guy I have met in a while, puts me totally at ease and proceeds to give me a tour of his incredibly awesome Plushie tree.
I caught him approaching in one photo, but when I asked to get a close up with his creation he was reticent to comply. That didn’t temper his enthusiasm though. We talked about the care that goes into selecting each stuffie’s location. The balance of the whole thing is pretty incredible, with the tiny guys all together creating there own little party closest to the ground and the very biggest of guys, enormous really, at the forks and center. And every single one seems to be staring down at pedestrians, all with their own personalities shining through.
It’s incredible how much is going on up in there. The more you look, the more there is to see. I guarantee you can find all your favorites, old and new.
Check out the fork of tinies on the left with one of Gru’s Minion looming overhead. Of course you can’t miss Garfield, but did you see the smurf and pirate Elmo?
That dolphin to Dora’s right is the only guy that fell during Hurricane Irene. And he fell again when Eugene was pointing him out. And there’s one of my personal nostalgic favorites, Clifford el gran perro colorado, because I read all the Clifford book en Español as a child through RIF.
There’s Chuckie ominously high up on the left. And look at the balance Eugene created when you view the tree from afar. It’s a pretty amazing piece of living contemporary art.
This experience would never have happened if I didn’t have a blog. Or Dug. I wouldn’t have gotten out of the car to look at the tree. I wouldn’t have met and talked to Eugene. He wouldn’t have told me about the blossoms and invited me back to photograph the tree in bloom. How cool is that? Maybe we’ll follow Eugene’s Brooklyn Plushie Tree throughout the seasons. He said he’d look out for us when we came by next time, and now that I’ve calmed down a bit and he made me feel so welcome, I have tons more questions for him. First and foremost, what made him hang his first stuffie? How does he get so high up? And what do his neighbors say?
So if I get the chance to speak to Eugene again, is there anything you’d like me to ask him?
Today you can find me guest blogging over at the lovely Paola’s, Mirror Mirror. Paola lives in Seattle, is a “design junkie, unrepentant foodie, passionate photographer, harassed mummy, crazed knitter, and a snarky Brit” and her blog is an amazing trip chronicling it all. She’s got an amazing blog, so I am totally fancy now!
Please visit and say hello. I painstakingly wrote up some thoughtful tips for improving photographs and illustrated with some of my favorites you see here below. Way more painstakingly than I even write here. CawfeeGuy even proofed me! And I though I almost had an anxiety attack in the process, I tried my best to entertain.
Paola may even make you some tea… I hear those Brits do that a lot.
This past few weeks I’ve been packaging awards entries for clients right and left, so it was exciting to receive some great feedback.

The design team at Beinfield Architecture has been awarded a 2012 Business in Architecture Award from the Connecticut American Institute of Architects (CT AIA) for this great private jet hangar and FBO.

The coolest thing about this award for me, besides the experience of taking photos at dusk on an airport tarmac, is what it takes to win according to the AIA’s criteria:
This statewide award honors architects for solving business problems for Connecticut clients, thereby demonstrating the power of architecture to shape business performance, to improve peoples’ lives and provide a value added service to clients in a business setting that far exceeds the costs of that service.
It’s why we do, what we do, right?
Purple is my favorite color, though I’ve never used it to decorate in my own home… well, that’s not exactly true… my last bedroom closet was stripped an amazing shade of glossy purple and a matte lavender. But Havilande Whitcomb Design brings purple unabashedly out into the open to create this incredibly fun, yet serene, seating area that I had the pleasure to photograph for Beinfield Architecture. Between the colors, the animal skin, the reclaimed hemlock wood floor and ceiling, the airiness, and the elegant, modern toddler toy, this nook looks like it was designed just for me to sit and read a gajillion books.
I’ll have to settle for the photograph.
Which one? New England in March edition
This post is a recurring feature I call ‘Which One?’ where I ask you to help me decide which is the stronger, more compelling image. Usually my ‘Which One?’ helps me determine which image to present to a client. Today it’s just my own interest. (This is also the shot in the opposite direction of the fog in my last post.)
So it’s also the beginning of a potentially new feature here, which I haven’t quite named yet. The concept is simple: it’s my favorite image from a shoot, and I’m certain the client is never going to use it. Basically, if I don’t post it here, no one’s ever going to see it, and it will live, alone and forgotten, in the cobwebs of my memory. If I remember it at all. How sad… This one, in particular will not see the light of day because Architects like blue sky. Period. And I took these same shots 5 hours later with an incredible blue sky, but I’m crazy about these comparatively so I’m not even gonna show you the blue sky.
I love these shots because, for me, they really capture New England in March. And I can see that charm without it being cloyingly sweet.
Which one would you choose? I’d love to hear.
{Update: I was totally wrong. The client chose both of these photos yesterday!}
Here are some previous ‘Which One?’ posts in case you are new here and would like to explore…
On the Nightstand










































